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Professional studio monitor combining compact dimensions and high-end technologies for authentic signal reproduction within any professional system from stereo to surround

The SC205 is a SilverCone two-way system with a 5" woofer. With an extended bass frequency response and an astounding output level, the SC205 will easily fill your room with exceptional sound.

The SC205 also comes with the convenience of threaded screw inserts on the bottom and the back. That way, you can mount your SC205 on a regular microphone or speaker stand, or use the back plate for different wall mounting options.

SC205 & SC208

The SC205 uses our 5" SilverCone woofer for an extended bass response. This very stiff diaphragm is honeycomb structured and glass fibre coated. Like in other models, such as the smaller SC204, the SC205 is driven by a sophisticated low distortion copper cap magnet system that uses a 1" voice coil responsible for delivering a greater linear excursion. All in all, this produces a bigger dynamic range than you would naturally assume from a speaker of these proportions. The result is an unsurpassed audio transparency that, when coupled with our proprietary AMT tweeter and PWM amplifier, will surprise you with a very powerful and precise low end.

Our AMT (Air Motion Transformer) tweeter is our own proprietary technology that follows the rule of not using "off-the-shelf" components when looking for the best possible results. The preciseness and detail in the high frequency, along with the general tightness of the bass and mid-range frequencies, will make the SC205 equally adequate for use on the road or in studio.

All EVE Audio monitors feature a high-resolution DSP electronics. A high-quality analog/digital converter from BurrBrown (24bit/192kHz) converts the analog input signal supplied via RCA or XLR. The DSP ensures latency-free filtering and simultaneously protects the entire frequency range from overload. When switched on, the volume of the monitor increases slowly to leave enough time to reduce the source volume if the input signal is too loud.

Adjustments to the acoustic environment can be made via the front rotary/pressure encoder, the SMART-knob with rotating LED ring. This knob allows the levelling of system volume as well as the adjustment of filters for room variables (low shelf, mid eq and high shelf filters). All settings are displayed on the LED ring, providing instant information about the selected values. The brightness of the LED ring can be adjusted for dark studios or video applications.

High-quality Class D amplifiers complete the system and deliver enough power to the demands of modern music production. Selected volume and/or filter settings can be independently fixed with DIP-switches that are positioned on the rear of the amplifier to prevent unauthorised or unintentional adjustments.

It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase.

We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies.

The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers.

Free-field frequency response (1/6 oct.) Top = Vertical configuration / Bottom = Horizontal configuration
Red = 0° / Green = 30° horizontal off-axis

Distortion Orange = 2nd / Green = 3rd vs frequency response (red)

Polar pattern (1m) Top = Vertical configuration / Bottom = Horizontal configuration
Red = 200Hz / Green = 1kHz / Blue = 5kHz

Product SC205
Description Nearfield Monitor
Dimensions (WxHxD) [mm] 175 x 275 x 233
Dimensions (WxHxD) ["] 6.89 x 10.83 x 9.17
Free-field frequency range (-3dB) 53Hz - 21kHz
Tweeter AMT RS1
Midrange
Mid-Woofer
Woofer 130mm/5"
Cross-over frequency 3000Hz
Max SPL per pair 111dBspl
Number of amplifiers 2
Output power (woofer) 50W
Output power (mid-driver)
Output power (tweeter) 50W
Protection limiter
Settings
Volume -inf. - +6dB
System volume (Satellite & Sub)
Subwoofer volume
High-shelf filter (-5dB - +3dB) > 3kHz
Mid EQ (-3dB - +3dB)
Desk filter boost (0dB - +3dB) 80Hz
Desk filter cut (-5dB - 0dB) 180Hz
Position filter
Low-shelf filter (-5dB - +3dB) < 300Hz
LED brightness setting
Input select
Level-lock dip switch
Filter-lock dip switch
Woofer-change dip switch (L/R)
Input level dip switch
Standby dip switch
Satellite filter dip switch
Phase inversion
Switchable Satellite filter
Variable Subwoofer filter
Remote control
Connectors
XLR in (impedance) (10k)
RCA in (impedance) (10k)
Digital optical in
USB in
RCA subwoofer out
XLR in left (impedance)
XLR in right (impedance)
XLR in LFE (impedance)
XLR out satellite left (impedance)
XLR out satellite right (impedance)
XLR out LFE (impedance)
Power consumption
Standby < 1W
Full output 70VA
Misc.
Backmounting thread inserts
Mic stand thread inserts
Weight [kg/lb.] 5 / 11
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Adrian Tucker (Spain) Dazastah (Australia) Grzegorz Czachor (Poland) Hauptwerk Systems (UK) Heritage Sound (South Africa) High Tide Studios (Germany) Kingston College (UK) Peter Lagoda (Germany) Prasanna Hanuwate (India) Record Factory (Korea) Timmi Breideband (Germany)

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