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3" Master/Slave
2-way 4" Monitor
2-way 5" Monitor
2-way 7" Monitor
2-way 8" Monitor
3-way 5" Monitor
3-way 7" Monitor
4-way 7" Monitor
4-way 8" Monitor
10" Main Monitor
12" Main Monitor
7" Subwoofer
8" Subwoofer
10" Subwoofer
12" Subwoofer
Passive router
PMR 2.10
for SC203/204/205
Wall mounts
for EVE SC203
SC203 supplies
Desktop 3-Way 4-Way Main Subs

2-Way 7" Monitor

The SC207 is our mid-range two-way monitor speaker. The SC207 will be attractive to a large range of listeners, as its size and form factor make them appropriate for a lot of different rooms.

Are you a home recording musician or producer? Not a problem. The SC207 has great power efficiency that will let you clearly examine what's happening in your music. Are you a post production professional working in a tight or smaller room? Not a problem. The modest and elegant size of the SC207, along with its quality precision, will make it great in your setup without overwhelming your working area.

Whatever you're doing, the SC207 will be there for you.

Tech Talk

With the SC207, you will get an extended bass frequency response (down to 44 Hz), courtesy of our 6.5" SilverCone honeycomb structured woofer and driven by a sophisticated low distortion copper cap magnet system with our 1.5" voice coil. The result is a very tight and dynamic bass, along with the usual greater linear excursion.

A PWM amplifier, with protection-limiting and capable of delivering a short-term output power of 100W, guarantees that the SC207 will never run out of juice. And with a maximum output level of 106 dB (SPL @ 1m), you can be sure that there is plenty of power to make critical and precise judgements over your mixes.

The SC207 is also the first EVE model monitor that uses our proprietary AMT (Air Motion Transformer) RS2. That means it can deliver a higher output level that is due to a bigger magnet system inside.

As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience.


With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work.

And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy.

Bass Port Design

It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase.

We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies.

The results?  High sound pressures with tight and punchy bass frequencies that don't cause port distortion.  Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers.


Product SC207
Description 2-way System
Dimensions (WxHxD) [mm] 215 x 330 x 280
Dimensions (WxHxD) ["] 8.46 x 12.99 x 11.02
Free-field frequency range (-3dB) 44Hz - 21kHz
Tweeter AMT RS2
Mid-Woofer 165mm/6.5"
Cross-over frequency 2800Hz
Maximum SPL @ 1m 106dB
Number of amplifiers 2
Output power (woofer) 100W
Output power (mid-driver)
Output power (tweeter) 50W
Protection limiter
Volume -inf. - +6dB
System volume (Satellite & Sub)
Subwoofer volume
High-shelf filter (-5dB - +3dB) > 3kHz
Desk filter boost (0dB - +3dB) 80Hz
Desk filter cut (-5dB - 0dB) 170Hz
Position filter
Low-shelf filter (-5dB - +3dB) < 300Hz
LED brightness setting
Input select
Level-lock dip switch
Filter-lock dip switch
Woofer-change dip switch
Inpult level dip switch
Standby dip switch
Satellite filter dip switch
Phase inversion
Switchable Satellite filter
Variable Subwoofer filter
Remote control
XLR in (impedance) (10k)
RCA in (impedance) (10k)
Digital optical in
USB in
RCA subwoofer out
XLR in left (impedance)
XLR in right (impedance)
XLR in LFE (impedance)
XLR out satellite left (impedance)
XLR out satellite right (impedance)
XLR out (LFE) (impedance)
Power consumption
Standby < 1W
Full output 120VA
Backmounting thread inserts
Mic stand thread inserts
Weight kg/lb. 8 / 17.6
2-way 8" Monitor
2-way 7" Monitor
2-way 5" Monitor
2-way 4" Monitor
10" Subwoofer
8" Subwoofer
Product manual Quick start guide (English) Quick start guide (Chinese) Quick start guide (Dutch) Quick start guide (French) Quick start guide (German) Quick start guide (Japanese) Quick start guide (Polish) Quick start guide (Russian) Quick start guide (Spanish) Spec sheet Specs comparison chart
Audio Fader group review (Italian) – 03.2018 Case study: Onkio Haus (English) – 07.2016 E-Muzyk (Polish) – 08.2013 FutureMusic (English) – 05.2013 Computer Music Studio (Italian) – 01.2013 Prime AV (Chinese) – 01.2013 Recording Mag (German) – 10.2012 Beat Mag (German) – 10.2012 (Korean) – 08.2012 Beat Mag group review (German) – 09.2012
Pro Sound News (English) – 03.2018 New Musical Instruments (Italian) – 12.2017 (Polish) – 06.2017 Musiker-Board (German) – 03.2017 (German) – 10.2014 ProSound.iXBT (Russian) – 07.2014 RandoM (Japanese) – 10.2013 RandoM (Japanese) – 10.2013 MusicTech (English) – 08.2013 Juno Plus (English) – 08.2013 MusicTech (English) – 05.2013 (Chinese) – 01.2013 (Polish) – 11.2012 AudioFanzine group review (French) – 11.2012 (Chinese) – 10.2012 (Chinese) – 10.2012
Adrian Tucker's review (Spanish/English) – 05.2018 EytschPi42's 2nd review (English) – 05.2018 Interview: Mischke (English) – 03.2018 EytschPi42's 1st review (English) – 08.2017 Interview: Victor Stancov (Romanian/English) – 06.2016 Interview: Mattman Music (Romanian/English) – 06.2016 Production Room (English) – 04.2014  
Beat Award – 10.2012 Beat Award – 09.2012 FutureMusic Platinum Award – 05.2013 E-Muzyk Award – 08.2013
Prime AV Award – 01.2013 VideoAktiv Award – 09.2013 Sound On Sound Award Nomination – 10.2013

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