The Air Motion Transformer RS7, specially developed for SC2070, is the largest AMT used in a 2-way monitor. The diaphragm area is 1.5 times larger than that of AMT RS1, RS2, RS3 and RS3.1 used in our other models and almost as large as in AMT RS6, which is employed exclusively in our main monitors SC3010 and SC3012. With great precision and detail, the RS7 reproduces silky smooth top end down to upper midrange frequencies. With a crossover frequency set to deep 1800Hz, the midrange imaging is assured at levels like those normally found in 3-way systems.

The 6.5" SilverCone woofer is driven by an advanced, low distortion copper cap magnet system with a 1.5" voice coil. The combination of very light and extremely stiff honeycomb cone material enables this woofer to provide a solid base with low distortion and precise and dynamic bass.

Two high-quality Class D amplifiers complete the system and provide enough output power to meet the demands of modern music production. The maximum input level can be adjusted between 7dBu and 22dBu to ensure the best possible A/D converter resolution.

All EVE Audio monitors feature a high-resolution DSP electronics. A high-quality analog/digital converter from BurrBrown (24bit/192kHz) converts the analog input signal supplied via RCA or XLR. The DSP provides latency-free filtering while protecting tweeter and woofers against overload across the entire frequency range. When switched on, the volume of the monitor increases slowly to leave enough time to reduce the source volume if the input signal is too loud.

Adjustments to the acoustic environment can be made via the front rotary/pressure encoder, the SMART-knob with rotating LED ring. This knob allows the levelling of system volume as well as the adjustment of filters for room variables (low shelf, mid eq and high shelf filters). All settings are displayed on the LED ring, providing instant information about the selected values. The brightness of the LED ring can be adjusted for dark studios or video applications.

High-quality Class D amplifiers complete the system and deliver enough power to the demands of modern music production. Selected volume and/or filter settings can be independently fixed with DIP-switches that are positioned on the rear of the amplifier to prevent unauthorised or unintentional adjustments.

The rear-facing bass reflex channel is, as usual with EVE Audio, designed for low airflow noise and enhances the powerful and precise bass reproduction.

Low frequencies propagate omnidirectionally. The radiation of low frequencies is spherical and the wavelength very large. For this reason, the differences in the position of the bass reflex channels in relation to the wall are negligible.

For more information on our bass reflex port design, click here.

Free-field frequency response (1/6 oct.) Red = 0° / Green = 30° horizontal off-axis

Distortion Orange = 2nd / Green = 3rd vs frequency response (red)

Polar pattern (1m) Red = 200Hz / Green = 1kHz / Blue = 5kHz